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Thick Description/Thin Lines: Writing about Process in

placing this in a broader context of recent develop- ments in the fields of theatre and performance studies. Once in Poland I was soon drawn into Gardzienice's highly collaborative ... See Paul Allain, Gardzienice Polish Theatre in Transition. ( Amsterdam: .... Jen Harvie, 'Introduction: Contemporary Theatre in the. Making', in  ...


Natasha Oxley

'fledgling' contemporary British actor trainer with a background in Polish theatre, it is crucial that I 'get to grips ... Theatre Studies and Polish at the University of Glasgow and the Jagiellonian. University, Krakow (albeit ...... Allain, P. Gardzienice: Polish Theatre in Transition, Amsterdam, Harwood. Academic Publishers 1997.


12 SMT 7.2_art_Spatz

Spatz, Ben (2013) Citing musicality: Performance knowledge in the Gardzienice archive. Studies in. Musical Theatre, 7 (2). pp. 221235. ISSN 17503159. This version is available .... movement and gesture. Yet contemporary audio and .... described by Paul Allain in Gardzienice: Polish Theatre in Transition (1997)? I use the.


Odin Teatret, Gardzienice, and Song of the Goat Theatre

54-71; and (1987) 'Gardzienice: A Polish Expedition to Baltimore', The Drama Review 31:1, pp. 137-163. 8 Paul Allain (1997) Gardzienice: Polish Theatre in Transition, Contemporary Theatre Studies, vol. 22,. Amsterdam: Hardwood Academic Publishers. It is worth noting that Filipowicz provides an interesting discussion of ...


Tamara Trojanowska

July 2016 Director, Centre for Drama, Theatre and Performance Studies,. University of .... [Polish. Studies, the American Style – Perspectives and Needs]. Nauka (2007), 97-100. “New Discourses in Drama.” Contemporary Theater Review. Vol 15 (2005), 93-104. ... “Paul Allain's Gardzienice: Polish Theater in Transition.


1 This is the final manuscript of a chapter that appeared in the

performances and pedagogy as case studies of what I call physiovocality. Meanwhile, the overarching aim of my ... Theatre Practices Gardzienice, which is still based in the homonymous village of the Southeastern region. ...... 9 This is quoted in Paul Allain, Gardzienice: Polish Theatre in Transition. (Amsterdam: Harwood ...

K. Thomaidis Physiovocality Chapter OUP 2014 Accepted Manuscript.pdf?sequence=1

Developing embodied pedagogies of acting for youth theatre

the context of theatre education. 97. Appendix 2. The transitional state and the ambivalences of actor training 128. Appendix 3. Exploring bodily reactions: Embodied pedagogy as an alternative for conventional paradigms of acting in youth theatre education. 147. Appendix 4. The youth theatre movement as part of actors' ...


Colors Like Knives: Embodied Research and Phenomenotechnique

Jul 18, 2017 ... Phenomenotechnique in Rite of the Butcher, Contemporary Theatre Review, 27:2 , 195-215, DOI: 10.1080/10486801.2017. ...... Gardzienice: Polish. Theatre in Transition. (London: Harwood. Academic Publishers,. 1997); Wlodzimierz. Staniewski and Alison. Hodge, Hidden. Territories: The. Theatre of ...


Singing The Body, Singing the Other, and Ensemble Organum's

Apr 13, 2010 ... Diaspora” (related, or sometimes not, to the late Polish theater director Jerzy. Grotowski .... contemporary artistic landscape, all use songs “gathered” from an Other– Caucasus. Georgia, Armenia ... 'Gardzienice' have both been engaged in “reconstructions” of “Ancient Greek” singing, using a combination of ...


Recognizing Crisis in Culture

Polish word for recognition (rozpoznanie) compels us to assume that we in fact .... studies. It is a weak claim, which should be understood only as an observation that there are traces of the experience of crisis in the earliest sources of ... anecdote or story recounted by Kierkegaard: “In a theatre, it happened that a fire.



Cashiered performed at the Burton Taylor Theatre; a second play,. Canon Warriors, having 'best overall production' for .... Honours 2016, Glyn Mathias ( 1963, Modern History) received an. OBE for public service and services to ..... Gardzienice Theatre Company, Poland, and presented in Oxford at the Ashmolean Museum.


1 Tomasz BARAN, l. 30 stypendium na przygotowanie i wydanie

Festiwalu otwarcia Europejskiego Ośrodka Praktyk Teatralnych „Gardzienice” miniatura filmowa. „Podszepty” – scenariusz ... MaMa Theatre (Nowy Jork, USA) inne osiągnięcia artystyczne: ... 2014 - świadectwo ukończenia studiów podyplomowych Gender Studies IBL PAN Instytut Badań. Literackich Polskiej Akademii Nauk.